By Abid Rahman International Editor, Digital HirokazuKoreeda confessed he had wanted to have an in-depth talk with Indian filmmaker Payal Kapadia ever since he saw her film All We Imagine as ...
HirokazuKoreeda arrived with a sombre and stylish film about a woman readjusting to life after her husband’s suicide. But can Japan’s modern master of domestic dramas escape the shadow of Ozu?
all while set against a closing focus on memory that invites comparisons to HirokazuKore-eda's "After Life." If not quite working on the same level as Kore-eda's 1998 masterpiece, "Nonostante ...
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