The Gist: I think it’s been established in many movies before this, that ghosts aren’t always trying to kill or dismember you or dump goo on your head. Sometimes, they just want to communicate ...

If you missed out on seeing Presence in the theaters early this year, you now have the chance to experience one of the most unique films of 2025 from the comfort of your couch. Directed by the ...

Since his flirtation with retirement about a decade ago, filmmaker Steven Soderbergh has been working at an almost feverish pace, cranking out film after film, usually genre exercises made swiftly, ...

The most overlookedhorrorfilm so far in 2025 has become a streaming hit just a few days after it debuted onHulu. At time of writing, the underrated horror outing is sitting in the second spot on ...

Soderbergh screened his latest feature in Park City some 35 years after the debut of 'Sex, Lies and Videotape.' By Chris Gardner, Mia Galuppo Steven Soderbergh was convinced that films shot with a ...

The not-so-secret fact about premieres is that the actors rarely watch, usually ducking out when the lights go down. They spend the film’s duration smoking cigarettes and reciting the cinema’s version ...

Steven Soderbergh has spent his career making movies that go against the grain. He's made indie gems ("Sex, Lies, and Videotape," "The Girlfriend Experience"), off-kilter crime thrillers ("Out of ...

Certain movie directors — Hitchcock and Tarantino come to mind — constitute a genre unto themselves. Steven Soderbergh was never like that, at least not until he started making his “little” films: the ...

Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, ...

New movies from directors Steven Soderbergh and Nia DaCosta have been added to this year’s Toronto Film Festival lineup. TIFF organizers announced on Thursday the first five titles of its official ...

Told from the viewpoint of a "presence" in the house, the film is shot entirely in first-person perspective. Puchko writes, "Soderbergh's steady hand is so mindful in its performance that you can ...