Lynch was drawn to the natural light of Los Angeles and, in turn, drew fans to him with his light shown from within ...

Though surreal and sometimes impenetrable, Lynch's films lead us down dark roads to curious, new possibilities ...

The Oscar-winning actor reflects on a lifetime of work with the filmmaker, with whom she collaborated on 'Blue Velvet,' 'Wild ...

Many of Lynch’s movies travel from a familiar outside world into a strange inner one. The structure of “Room to Dream,” which ...

David Lynch, the director of cult classics such as Twin Peaks, Mulholland Drive and Eraserhead passed away last week. Known ...

The late filmmaker’s name became shorthand for an inexplicably haunting aesthetic used to describe music, film, and life ...

Lavish hair, nondescript clothes and a smoking habit were hallmarks of the filmmaker David Lynch’s visual persona.

A cheeky, goofy-as-hell pasta ad in which Gérard Depardieu cooks pasta for a girl who fell off her scooter, causing an elderly couple to eerily applaud and a Toto-looking dog to bark its approval.

The filmmaker invited us to open our minds to the impossible, with movies such as "Blue Velvet" and "Mulholland Drive" that ...

David Lynch, like many other filmmakers before him ... were often punctuated with brilliant flashes of light, and the color or temperature of that light was always intentional: Blue for melancholy ...

That question occurs again and again in David Lynch’s filmography ... a stoplight swaying softly in the wind while it changes color; the sensation that something peculiar will inevitably ...