The 21st century has seen any number of films about the stories people tell themselves in order to rationalize and reconfigure their trauma, but none have been more raw or powerfully true to life than ...

Gregg Araki is ready to bring “Mysterious Skin” into the 2020s: The writer/director will unveil the 4K restoration of the acclaimed 2004 indie at the Academy Museum of Motion Pictures on September 19 ...

“Mysterious Skin” concludes on the bittersweet and wordless reunion of Neil McCormick (Joseph Gordon-Levitt, “(500) Days Of Summer”) and Brian Lackey (Brady Corbet, “Funny Games”), accompanied by ...

EDITOR’S NOTE: Every day for the next month, indieWIRE will be republishing profiles and interviews from the past ten years (in their original, retro format) with some of the people that have defined ...

Reid Goldberg is a features writer for Collider. Having grown up in the Midwest, he attended the University of Wisconsin in Milwaukee. While he's begrudingly accepted that a FIlm Studies degree wasn't ...

Of all the representations of pedophilia in movies recently, from "Mystic River" to Kevin Bacon's powerful performance as a recovering abuser in "The Woodsman" to Todd Solondz's treatment of the ...

"Mysterious Skin" is a haunting, harrowing, deeply touching film about the sexual abuse of children. That isn't a topic that's going to create a run on the box office. But those who do go to see ...

This week, the world mourns the tragic loss of 39-year-old film and television star Michelle Trachtenberg. Thanks to her spunky attitude, unique style, and her many roles that fell outside the realm ...

Perhaps feeling the heat from “Star Wars Episode III: The Revenge of the Sith,” specialty offerings remained light last weekend ahead of the summer release season, which begins Memorial weekend. Gregg ...

Gregg Araki delivers his most challenging and arguably most mature film in “Mysterious Skin.” Adapting another writer’s material for the first time, the director teases the audience into expecting the ...

Independent filmmaker Gregg Araki (The Doom Generation) takes his first stab at adaptation (2004) with this screen version of Scott Heim’s 1995 novel, and the result is flawed but frequently haunting.