When I attached a few zoom lenses, including a Canon 16-35mm f/2.8 and a 24-70mm f/2.8, the 6D didn't feel that different than a 5D Mark III. Sure, there are less expensive, lighter zoom lenses ...

Canon 16-35mm f/4L IS: 16mm, f/5.6, 1/500s, ISO 100 Summary: The familiar yet refreshed Canon 5D Mark IV is a top-notch, all-around professional DSLR Performance-wise, the 5D IV earns the high ...

Canon's latest formula (thanks to Canon Watch for the spot) refers to a potential 70-150mm f/1.8 lens – while still in the ...

Canon is set to expand its RF-mount lens line up with three new 'hybrid' lenses for its mirrorless cameras. In a teaser, the ...

PolarPro and Peter McKinnon team up once more to craft "the most sought-after Variable ND filter on the market". I find out ...

The Tiffen VND filter offers ND filter strengths from two to eight stops and has a budget-friendly price, but is the now ...

The edges are excellent from f/2.8 to f/11 and very good at f/16 and f/22. At 35mm, central sharpness is excellent from f/2.8 to f/16 and very good at f/22. The edges are excellent from f/2.8 to f ...

The rise and fall of APS cameras, documented by John Wade The post APS cameras the film format that was dead within 10 years ...

The RF 24mm F1.4 L VCM and RF 50mm F1.4 L VCM are part of Canon's new 'hybrid' series of lenses designed to work with both EOS and Cinema EOS cameras.

Canon has just launched two new prime RF lenses, including the RF 50mm F1.4L VCM. As we have already seen with the RF 35mm ...

Canon has announced four new lenses for its mirrorless cameras, three of which are touted 'hybrid', meaning that they are designed for video and still creators. They are the RF 24mm F1.4L VCM, RF 50mm ...

Canon’s new 3D lens has an aperture range of f/4.0 to f/16, supports autofocus, and features a button and a control wheel for ...