In this state, it can be shaped in different ways – from simple tableware to ornate chandeliers, tiny beads to huge vases, clear goblets to colourful opaque sculptures. It is both fragile and durable.
After discovering the art of Maurice de Vlaminck at the 1905 Salon des Indépendants, Ambroise Vollard visited Vlaminck's workshop in 1906 and bought all the paintings which were in the artist's ...