“Folie à Deux” does neither. Taking a cue from the last scene of “Joker” — a psych evaluation where Arthur hears Frank Sinatra’s “That’s Life” in his head and starts to sing along — the film is basically one long drawn-out courtroom drama, interrupted by musical numbers (old standards, most of them sung in Arthur’s head).

Joaquin Phoenix's dreams were being blamed earlier, but now it's filmmaker Todd Phillips' turn to take some accountability for Joker: Folie à Deux's failings. A new report reveals his disdain for

Lady Gaga’s Joker character echoes every issue Phillips has had with female roles in the Hangover movies and beyond Todd Phillips’ Joker sequel, Joker: Folie à Deux, is catching flak from fans for deviating from perceived canon — both the various comics versions of longtime Batman villain Joker,