Despite the comedic star power of Tina Fey, Will Forte and Steve Carell, the series remake of Alan Alda’s 1981 film on midlife marriage feels old and tired.

Brady Corbet’s ambitious “The Brutalist,” about a post-World War II architect, challenges the way Hollywood makes movies.

Two years ago, the prequel “Minions: The Rise of Gru” prompted me to wonder whether there was much excitement or innovation left for star Steve Carell to mine in his animated alter ego Gru.

“Skin of Glass” on PBS delves into the history and current state of Roger Zmekhol’s famed São Paulo tower, revealing personal and architectural stories.

Luis Cortes Romero made history when he became the first undocumented person to present a case at the nation’s highest court.

The Chronicle movie critic also answers questions about favorite election films and whether Walter Matthau would have made it in 2024.

Artistic Director Tamara Rojo’s second repertory season draws heavily upon her experiences at the Royal Ballet and English National Ballet.

Domenique Lozano’s adaptation of “Much Ado About Nothing” reveals Shakespeare not as some holy writ etched in stone but a bubbling lab ripe for experimentation.

“MaXXXine,” the clever trilogy completer by the scream team of director Ti West and fearless actress Mia Goth, opens with a quote attributed to Bette Davis. “Until you’re known in my profession as a ...

In gripping “Burnt,” California firefighter Clare Frank shares stories of trauma and friendship fighting flames.

School Library Journal Librarian of the Year Amanda Jones came under fierce personal attack in 2022 when she spoke out against book bans.

When an Ethiopian American in Paris returns home for a reset, he finds only more mysteries about the immigrant experience and what we each call home.