CHICAGO—The Art Institute of Chicago is pleased to share a selection of our most exciting acquisitions of 2024. This year, the museum added more than 1,000 new works to its permanent collection, ...

The Art Institute offers almost a million square feet to explore. Use the museum floor plan to help navigate a course for your visit. Planning your visit? Download our Visitor Guide (in English or ...

“For me, painting the crosses was a way of painting the country,” recalled Georgia O’Keeffe about the series of compositions featuring Catholic crosses that she created upon visiting the Southwest in ...

Pan-Africanism, first named and theorized around 1900, is commonly regarded as an umbrella term for political movements that have advanced the call for both individual self-determination and global ...

In December 1931 Pablo Picasso began a series of paintings of Marie-Thérèse Walter, a French model with whom he was romantically involved while married to his first wife, Olga Khokhlova. Perhaps ...

Portraits of important people appear on local currency all around the world. The same was true in ancient Rome, which began producing its first coinage in the late 4th century BCE. Early coins ...

Permeated by anguished visions of humanity, Francis Bacon’s paintings embody the existential ethos of the postwar era. In his powerful, nihilistic works, tormented and deformed figures become players ...

The front (obverse) of this coin depicts the God Eros. On the back (reverse), the headdress of the goddess Isis is shown.

Jean Louis André Théodore Géricault Portrait of a Man, 1818/19 Jean Louis André Théodore Géricault Sketches of Postillions and a Stagecoach, 1818/19 Jean Louis André Théodore Géricault A Stagecoach ...

The front of this coin depicts the head of the goddess Juno, facing right. On the back, a bull charges to the right.

The front (obverse) of this coin depicts the head of the goddess Roma, wearing a winged helmet and facing to the right. On the back (reverse), the god Jupiter rides in a four-horse chariot called a ...

In the Roman world, portraits were often recarved in order to alter the sculpture’s function, meaning, or identity. It is possible that this portrait head was altered at a later date because it ...